"God could not be everywhere, and therefore he made mothers"
About this Quote
It flatters mothers with the kind of grand, almost swaggering reverence that feels both devotional and strategic. By framing motherhood as God’s workaround for a logistical limitation, Kipling turns domestic care into cosmic infrastructure. It’s a clever rhetorical lift: the everyday labor of tending, soothing, feeding, and worrying gets recast as omnipresence-by-proxy. The line works because it compresses awe and intimacy into a single, quotable myth. You don’t have to argue for maternal importance; you just concede it with a grin.
The subtext, though, is where the compliment gets complicated. In making mothers stand in for the divine, the saying sanctifies a role that has historically been used to confine women to it. Holiness can be a gilded cage: if mothers are near-angelic, then exhaustion becomes virtue, self-erasure becomes love, and asking for help can sound like heresy. The quote also sidesteps fathers entirely, not just as caregivers but as moral agents, reinforcing a cultural script where nurturing is “naturally” feminine and therefore unpaid, expected, and endlessly available.
Kipling’s era matters. Late-Victorian and Edwardian Britain leaned hard on sentimental motherhood as a stabilizing myth for empire and industry: the home as moral factory, the mother as its foreman. The line’s charm is its audacity; its cultural function is reassurance. It offers a theology that doubles as social policy: trust the mother, and you don’t have to look too closely at the systems that rely on her.
The subtext, though, is where the compliment gets complicated. In making mothers stand in for the divine, the saying sanctifies a role that has historically been used to confine women to it. Holiness can be a gilded cage: if mothers are near-angelic, then exhaustion becomes virtue, self-erasure becomes love, and asking for help can sound like heresy. The quote also sidesteps fathers entirely, not just as caregivers but as moral agents, reinforcing a cultural script where nurturing is “naturally” feminine and therefore unpaid, expected, and endlessly available.
Kipling’s era matters. Late-Victorian and Edwardian Britain leaned hard on sentimental motherhood as a stabilizing myth for empire and industry: the home as moral factory, the mother as its foreman. The line’s charm is its audacity; its cultural function is reassurance. It offers a theology that doubles as social policy: trust the mother, and you don’t have to look too closely at the systems that rely on her.
Quote Details
| Topic | Mother |
|---|---|
| Source | Later attribution: Rudyard Kipling (Rudyard Kipling) modern compilation
Evidence: and and the black on the other wanted therefore a writer from among the eurasian Other candidates (1) Rudyard Kipling - Puck of Pook's Hill (Rudyard Kipling, 2018) compilation20.0% Whilst he is best remembered for his classic children's stories and his popular poem 'If..'. He is also regarded as a... |
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