"I'm more selective now I've got a family. I don't want to work all the time. My daughter's 12; I don't want to miss out on her life. Soon she'll be a teenager; she won't want me around"
About this Quote
Walters’ line lands because it flips the usual celebrity script. Instead of selling “having it all,” she admits the trade is real and the clock is loud. “More selective” sounds like a career move, but it’s really a boundary: the work will expand to swallow whatever you feed it, and she’s done pretending that’s ambition.
The emotional engine is in the deadlines she names. Twelve isn’t just an age; it’s the last stretch of childhood where a parent still gets invited into the everyday. “I don’t want to miss out” frames parenting as an experience you can lose through neglect, not a status you hold by default. Then comes the sharpest turn: “Soon she’ll be a teenager; she won’t want me around.” It’s funny in a slightly bleak, honest way. She’s not romanticizing motherhood; she’s acknowledging the coming push-away phase and treating it as a reason to show up now, before the door half-closes.
As an actress, Walters also punctures the myth that creative work is only valid when it’s totalizing. Her subtext is a quiet critique of an industry that rewards constant availability and calls it “passion,” especially from women. There’s no guilt performance here, no martyrdom. Just a pragmatic calculus: roles will keep coming; a daughter’s childhood won’t. The quote works because it’s both intimate and structural, a personal choice that hints at the system forcing the choice in the first place.
The emotional engine is in the deadlines she names. Twelve isn’t just an age; it’s the last stretch of childhood where a parent still gets invited into the everyday. “I don’t want to miss out” frames parenting as an experience you can lose through neglect, not a status you hold by default. Then comes the sharpest turn: “Soon she’ll be a teenager; she won’t want me around.” It’s funny in a slightly bleak, honest way. She’s not romanticizing motherhood; she’s acknowledging the coming push-away phase and treating it as a reason to show up now, before the door half-closes.
As an actress, Walters also punctures the myth that creative work is only valid when it’s totalizing. Her subtext is a quiet critique of an industry that rewards constant availability and calls it “passion,” especially from women. There’s no guilt performance here, no martyrdom. Just a pragmatic calculus: roles will keep coming; a daughter’s childhood won’t. The quote works because it’s both intimate and structural, a personal choice that hints at the system forcing the choice in the first place.
Quote Details
| Topic | Work-Life Balance |
|---|---|
| Source | Help us find the source |
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