"Talking isn't doing. It is a kind of good deed to say well; and yet words are not deeds"
About this Quote
Shakespeare is catching us in the act of mistaking eloquence for action, the way a polished speech can feel like moral progress even when nothing changes. The line has that familiar Elizabethan doubleness: it grants language its seductions ("a kind of good deed to say well") while refusing to let rhetoric launder inaction. He’s not anti-speech; he’s anti-alibi.
The phrasing matters. "Talking isn't doing" is blunt, almost modern in its impatience, a verbal slap before the sentence relaxes into a concession. That concession is the trap: yes, speaking well can be ethically meaningful. Persuasion can prevent harm; testimony can make truth public; comfort can steady a person on the brink. Shakespeare, the ultimate craftsman of words, knows how language can move bodies and histories. That’s why the turn to "and yet" lands like a courtroom objection. Enjoy your applause, he implies, but don’t confuse it with outcomes.
In the plays, this idea rhymes with a recurring suspicion: characters weaponize language to perform virtue while postponing responsibility. Think of the politician’s promise, the lover’s vow, the courtier’s flattering counsel. Words become a stage-prop morality, vivid enough to convince the speaker. Shakespeare’s theater is the perfect habitat for this critique; drama is built from talk, but its consequences are measured in blood, marriages, banishments, crowns.
The subtext is a warning to audiences as much as characters: if you can be moved by a sentence, you can also be pacified by one.
The phrasing matters. "Talking isn't doing" is blunt, almost modern in its impatience, a verbal slap before the sentence relaxes into a concession. That concession is the trap: yes, speaking well can be ethically meaningful. Persuasion can prevent harm; testimony can make truth public; comfort can steady a person on the brink. Shakespeare, the ultimate craftsman of words, knows how language can move bodies and histories. That’s why the turn to "and yet" lands like a courtroom objection. Enjoy your applause, he implies, but don’t confuse it with outcomes.
In the plays, this idea rhymes with a recurring suspicion: characters weaponize language to perform virtue while postponing responsibility. Think of the politician’s promise, the lover’s vow, the courtier’s flattering counsel. Words become a stage-prop morality, vivid enough to convince the speaker. Shakespeare’s theater is the perfect habitat for this critique; drama is built from talk, but its consequences are measured in blood, marriages, banishments, crowns.
The subtext is a warning to audiences as much as characters: if you can be moved by a sentence, you can also be pacified by one.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Rejected source: MacBeth: With Introduction, Notes, and Questions for Review (Shakespeare, William, Purcell, F. A. ..., 1916)IA: macbethwithintro0000shak
Evidence: the king as his cousin i am bound to him by ties of blood and as his subject by my sworn fealty both thes Other candidates (2) 4044 William Shakespeare Quotes (Arthur Austen Douglas) compilation95.0% ... Talking isn't doing . It is a kind of good deed to say well ; and yet words are not deeds . " " Now he'll outstar... William Shakespeare (William Shakespeare) compilation35.6% tickle us do we not laugh if you poison us do we not die and if you wrong us shall we not revenge shyloc |
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