"The one thing I do not want to be called is First Lady. It sounds like a saddle horse"
About this Quote
Jackie Kennedy’s line lands like a perfectly aimed hatpin: elegant, amused, and quietly lethal to the machinery of politics that tried to pin a woman to a title. “First Lady” is supposed to confer glamour and deference, but she hears in it something domesticated and managed. “It sounds like a saddle horse” turns the phrase into a joke about ownership - a creature groomed, displayed, ridden. The comedy is doing serious work: it punctures the supposed honor of the role by exposing its core assumption that the president’s wife is a kind of state property, decorative but useful, always in harness.
The intent is not simply snobbery about a label. It’s resistance to a category designed to be both flattering and restrictive. Kennedy understood how America consumes women in public life: as symbols first, people second. “First Lady” suggests hierarchy and pageantry, but also a job without a job description, power without legitimacy, visibility without agency. Her quip refuses to let the title naturalize that arrangement.
Context matters: early 1960s media treated her as a fashion plate, a national mood board, an accessory to Camelot. Kennedy curated culture - restoring the White House, championing the arts - yet the vocabulary available to describe her was aggressively ornamental. By ridiculing the term, she signals a deeper unease with being packaged as an institution rather than recognized as an individual, or at least as a collaborator rather than a mount. The line’s sting is that it’s funny because it’s true.
The intent is not simply snobbery about a label. It’s resistance to a category designed to be both flattering and restrictive. Kennedy understood how America consumes women in public life: as symbols first, people second. “First Lady” suggests hierarchy and pageantry, but also a job without a job description, power without legitimacy, visibility without agency. Her quip refuses to let the title naturalize that arrangement.
Context matters: early 1960s media treated her as a fashion plate, a national mood board, an accessory to Camelot. Kennedy curated culture - restoring the White House, championing the arts - yet the vocabulary available to describe her was aggressively ornamental. By ridiculing the term, she signals a deeper unease with being packaged as an institution rather than recognized as an individual, or at least as a collaborator rather than a mount. The line’s sting is that it’s funny because it’s true.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
More Quotes by Jackie
Add to List




