Bertolt Brecht Biography

Bertolt Brecht, Poet
Born asEugen Berthold Friedrich Brecht
Occup.Poet
FromGermany
BornFebruary 10, 1898
Augsburg, Bavaria, Germany
DiedAugust 14, 1956
East Berlin, East Germany
CauseHeart attack
Aged58 years
Early Life and Education
Eugen Berthold Friedrich Brecht, more frequently known as Bertolt Brecht, was born upon February 10, 1898, in Augsburg, Bavaria, then part of the German Empire. Brecht was raised in a middle-class household; his father, Berthold Friedrich Brecht, operated in a paper mill, and his mom, Sophie Brezing, was a devout Protestant who handed down her love of faith and literature to her kid. From a young age, Brecht showed an eager interest in literature and the arts, which led him to write his very first plays as a teen. He went to the University of Munich, where he studied medication briefly before rotating his focus to literature and approach.

Early Career and Influences
Throughout World War I, Brecht acted as a medical organized, an experience that substantially affected his outlook and writing, making him a crucial observer of human nature and society. After the war, he returned to Munich and started writing plays, poems, and essays, drawing inspiration from the works of dramatists like Frank Wedekind and Karl Valentin. His early work likewise showed the influence of expressionist theater and socialist viewpoint.

Brecht relocated to Berlin in the 1920s, which was a cultural center at the time. He became included with influential playwrights and directors, broadening his network in the theatrical neighborhood. It was during this duration that Brecht established his theory of "Epic Theater", a type that sought to provoke logical thought instead of psychological participation from the audience.

Cooperation and Major Works
In the late 1920s, Brecht began working together with author Kurt Weill, producing a few of his most famous works, such as "The Threepenny Opera" (1928). This play, a critical success, was noteworthy for its satirical take on capitalism and its catchy musical numbers. Brecht's marriage to actress Helene Weigel in 1929 was another considerable personal and professional collaboration in his life. Weigel ended up being the leading starlet in much of his plays and an essential figure in his theater companies.

Another substantial partner was Elisabeth Hauptmann, a scriptwriter and translator who worked carefully with Brecht on a number of projects, consisting of "The Threepenny Opera". It was during this lively period in Berlin that Brecht strengthened his credibility as a leading avant-garde dramatist and poet.

Exile and Later Life
The increase of the Nazi Party in Germany required Brecht into exile in 1933, initially to Scandinavia and eventually to the United States in 1941. Throughout this period, he continued to compose plays and movie scripts, including "Mother Courage and Her Children" (1941) and "The Caucasian Chalk Circle" (1944). His time in the U.S. was challenging due to political tensions and arguments with American theatrical models, but he continued to produce considerable work.

In 1947, Brecht was called to affirm before your home Un-American Activities Committee in the context of the Red Scare. Quickly afterward, disappointed with the political environment, he returned to Europe, settling in East Berlin in 1949.

The Berliner Ensemble and Final Years
In East Berlin, Brecht founded the Berliner Ensemble, a theatre company that became a prominent platform for his works. He continued to establish his theories on Epic Theatre and produced various plays that critiqued social and political structures.

Brecht's health started to decline in the early 1950s, and he suffered a cardiac arrest in 1954. He continued working until his death on August 14, 1956, in East Berlin. Brecht's legacy endured through his works and the Berliner Ensemble, which Helene Weigel continued to pursue his death.

Legacy
Bertolt Brecht is kept in mind as an innovative playwright who changed the landscape of 20th-century theater with his innovative strategies and socially mindful styles. His contributions to literature and the arts, particularly through his expedition of Epic Theatre and the alienation result, have left an enduring mark. Individuals such as Helene Weigel, Kurt Weill, and Elisabeth Hauptmann were significant in his life and work, assisting to form the artistic vision that would influence generations of theater professionals and thinkers.

Our collection contains 37 quotes who is written / told by Bertolt, under the main topics: Happiness - Death - Change.

Related authors: Edward Bond (Playwright), Hans Magnus Enzensberger (Author), Kurt Weill (Composer), Frank Wedekind (Playwright), Lawrence Taylor (Athlete)

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