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Robert Rauschenberg Biography

Robert Rauschenberg, Artist
Born asMilton Ernest Rauschenberg
Occup.Artist
FromUSA
BornOctober 22, 1925
Port Arthur, Texas, U.S.
DiedMay 12, 2008
Captiva, Florida, U.S.
CauseHeart Failure
Aged82 years
Robert Rauschenberg was born on October 22, 1925, in Port Arthur, Texas, USA. His parents were Ernest Rauschenberg and Dora Carolina Matson. Robert had a challenging childhood as his dad struggled with alcohol addiction and also his mommy was psychologically unwell. Nevertheless, he found solace in art and also started attracting as well as repainting from a young age.

After ending up high school, Rauschenberg enlisted at the University of Texas at Austin, where he examined pharmacology. Nevertheless, he quickly shifted his focus to art and transferred to the Kansas City Art Institute. He later examined at the Academie Julian in Paris as well as the Black Mountain College in North Carolina, where he was mentored by Josef Albers and also John Cage.

In the early 1950s, Rauschenberg transferred to New York City, and soon became a famous number in the avant-garde art scene. He belonged to the Neo-Dada movement, which advocated making use of day-to-day things in art. Rauschenberg's own job integrated products such as papers, fabric, and located objects, which he combined right into assemblages that he called "combines.".

In 1955, Rauschenberg got extensive recognition for his collection of "Erased de Kooning Drawings," in which he asked Willem de Kooning for one of his drawings and after that continued to erase the majority of it, leaving only faint traces of the initial image. The item challenged standard concepts of authorship and creativity in art.

Throughout the 1960s, Rauschenberg continued to experiment with brand-new materials as well as methods, such as silkscreen printing, and also worked together with artists such as Jasper Johns as well as Merce Cunningham. His work ended up being increasingly political, attending to concerns such as the Vietnam War and also civil liberties.

In 1970, Rauschenberg established the Rauschenberg Overseas Culture Interchange (ROCI), a project that looked for to promote social exchange in between the United States and various other nations. ROCI led him to take a trip extensively with Asia, Africa, as well as Latin America, influencing a lot of his later job.

Rauschenberg was the recipient of numerous awards, consisting of the National Medal of Arts (1993) as well as the Leonardo da Vinci World Award of Arts (1995). He remained to produce art till his death on May 12, 2008, in Captiva Island, Florida, at the age of 82.

Robert Rauschenberg was an introducing artist whose job pressed the limits of typical art kinds and tested standard mind-sets. He left an enduring mark on the art world and continues to affect musicians today.

Our collection contains 30 quotes who is written / told by Robert.

Related authors: Twyla Tharp (Dancer), Leonardo da Vinci (Artist), John Chamberlain (Artist), Lawrence Taylor (Athlete), David Hockney (Artist), Jasper Johns (Artist), Willem de Kooning (Artist), John Cage (Composer), Josef Albers (Artist)

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30 Famous quotes by Robert Rauschenberg

Small: And all of this, all these physical aspects of painting at that time excited me very much. You could do
"And all of this, all these physical aspects of painting at that time excited me very much. You could do a picture in just black and white. I mean all the things, whether you're soliciting permission or not, do give you permission"
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Small: There was a whole language that I could never make function for myself in relationship to painting and
"There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain"
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Small: If you dont have trouble paying the rent, you have trouble doing something else one needs just a certai
"If you don't have trouble paying the rent, you have trouble doing something else; one needs just a certain amount of trouble"
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Small: An empty canvas is full
"An empty canvas is full"
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Small: Pollock also... wanted one to be wrapped in the painting
"Pollock also... wanted one to be wrapped in the painting"
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Small: One can see that a canvas is six feet by eight feet, say, quite accurately. But you can spend two minut
"One can see that a canvas is six feet by eight feet, say, quite accurately. But you can spend two minutes and think it's five, or thirty seconds and it's just a different bed for activities there"
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Small: I think maybe chance works better in a situation like music because music exists over a period of time,
"I think maybe chance works better in a situation like music because music exists over a period of time, and you don't maintain constantly the you can't refer back from one area to another area"
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Small: I think a painting is more like the real world if its made out the real world
"I think a painting is more like the real world if it's made out the real world"
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Small: But I found a lot of artists at the Cedar Bar were difficult for me to talk to
"But I found a lot of artists at the Cedar Bar were difficult for me to talk to"
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Small: And also the new excitement and variety of ways that the abstract expressionists were applying paint.
"And also the new excitement and variety of ways that the abstract expressionists were applying paint. You could put it on as though it were colored air and it would be painting"
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Small: The only thing that I could get with chance, and I never was able to use it, was that I would end up wi
"The only thing that I could get with chance, and I never was able to use it, was that I would end up with something quite geometric or the spirit that I was interested in, indulging in, was gone"
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Small: Im not so facile that I can accomplish or find out what I want to know or explore enough of the possibi
"I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings"
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Small: And I think that even today, New York still has more of this unexpected quality around every corner tha
"And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary"
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Small: I dont think any one person, whether artist or not, has been given permission by anyone to put the resp
"I don't think any one person, whether artist or not, has been given permission by anyone to put the responsibility of the way things are on anyone else"
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Small: I dont mess around with my subconscious
"I don't mess around with my subconscious"
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Small: Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the follo
"Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the following well, this is where I moved to uptown and I've been here for four years and this is 1965"
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Small: Oracle was I had started it I guess two and a half years ago, maybe even longer than that, closer to th
"Oracle was I had started it I guess two and a half years ago, maybe even longer than that, closer to three"
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Small: I always have a good reason for taking something out but I never have one for putting something in.
"I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested"
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Small: Every time Ive moved, my work has changed radically
"Every time I've moved, my work has changed radically"
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Small: But I was in awe of the painters I mean I was new in New York, and I thought the painting that was goin
"But I was in awe of the painters; I mean I was new in New York, and I thought the painting that was going on here was just unbelievable"
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Small: You begin with the possibilities of the material
"You begin with the possibilities of the material"
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Small: The artists job is to be a witness to his time in history
"The artist's job is to be a witness to his time in history"
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Small: I wouldnt use the same color in a picture in more than one place
"I wouldn't use the same color in a picture in more than one place"
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Small: I got so I was really just sick of sculpture
"I got so I was really just sick of sculpture"
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Small: And I think a painting has such a limited life anyway
"And I think a painting has such a limited life anyway"
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Small: So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with
"So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design"
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Small: Im sure we dont read old paintings the way they were intended
"I'm sure we don't read old paintings the way they were intended"
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Small: I did a twenty foot print and John Cage is involved in that because he was the only person I knew in Ne
"I did a twenty foot print and John Cage is involved in that because he was the only person I knew in New York who had a car and who would be willing to do this"
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Small: A newspaper that youre not reading can be used for anything and the same people didnt think it was immo
"A newspaper that you're not reading can be used for anything; and the same people didn't think it was immoral to wrap their garbage in newspaper"
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Small: Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it
"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it"
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