"A society that has made "nostalgia" a marketable commodity on the cultural exchange quickly repudiates the suggestion that life in the past was in any important way better than life today"
About this Quote
Lasch skewers a culture that wants the past only as a product, never as a provocation. His line hinges on a revealing contradiction: nostalgia is everywhere, but it must be kept harmless. Once retro style, rebooted franchises, and “heritage” branding become reliable revenue streams, nostalgia gets domesticated into a kind of aesthetic seasoning. You can buy the vibe of “then” as long as you don’t smuggle in the judgment that “then” might have been morally, socially, or spiritually superior.
The intent is less to praise the past than to expose the policing of comparison. Consumer culture invites longing while refusing the uncomfortable question longing implies: if people keep reaching for older forms of community, work, faith, or civic life, what does that say about what we’ve lost? Lasch’s subtext is an indictment of a society that turns critique into content. It isn’t anti-nostalgia; it’s anti-commodified nostalgia, the kind that converts historical memory into a lifestyle choice and drains it of its accusatory power.
Context matters. Writing in the late 20th century, Lasch was responding to a United States flush with postwar affluence yet increasingly anxious: declining institutions, thinner public life, media saturation, the market colonizing private feeling. In that landscape, nostalgia becomes a safe simulation of dissent. It’s permitted as entertainment, repudiated as argument. The past can be sold back to you, but it can’t be allowed to win.
The intent is less to praise the past than to expose the policing of comparison. Consumer culture invites longing while refusing the uncomfortable question longing implies: if people keep reaching for older forms of community, work, faith, or civic life, what does that say about what we’ve lost? Lasch’s subtext is an indictment of a society that turns critique into content. It isn’t anti-nostalgia; it’s anti-commodified nostalgia, the kind that converts historical memory into a lifestyle choice and drains it of its accusatory power.
Context matters. Writing in the late 20th century, Lasch was responding to a United States flush with postwar affluence yet increasingly anxious: declining institutions, thinner public life, media saturation, the market colonizing private feeling. In that landscape, nostalgia becomes a safe simulation of dissent. It’s permitted as entertainment, repudiated as argument. The past can be sold back to you, but it can’t be allowed to win.
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
More Quotes by Christopher
Add to List

