"However it is debased or misinterpreted, love is a redemptive feature. To focus on one individual so that their desires become superior to yours is a very cleansing experience"
About this Quote
Winterson takes a word that’s been flattened by greeting cards and therapy-speak and drags it back into the messy ethics of desire. The opening clause, “However it is debased or misinterpreted,” is doing defensive work: she’s admitting love’s PR problem up front, conceding the ways it gets sold, weaponized, romanticized into delusion. That concession clears space for a more bracing claim: love is “redemptive,” not because it’s pure, but because it re-orders the self.
The pivot is her deliberately provocative definition of devotion: “to focus on one individual so that their desires become superior to yours.” In an era that treats self-prioritization as a moral baseline, Winterson frames voluntary self-demotion as “cleansing.” The subtext isn’t submission for its own sake; it’s the rare relief of escaping the tyranny of the ego. Love, here, functions like a solvent. It dissolves the constant internal negotiations - what do I want, what do I deserve, what am I owed - and replaces them with a sustained attention to someone else that can feel like grace.
Context matters: Winterson’s work often circles obsession, queer longing, and the ways passion can be both revelation and ruin. She’s not naively celebrating dependency; she’s interested in love’s capacity to interrupt the modern self as a closed system. “Redemptive” becomes less a religious promise than an aesthetic and moral reset: love redeems by making you porous, by forcing you to practice humility in a culture that monetizes selfhood. The danger is implied, too: if the “superior” desires aren’t chosen freely, cleansing curdles into erasure. Winterson bets on the chosen version - the one that remakes you without confiscating you.
The pivot is her deliberately provocative definition of devotion: “to focus on one individual so that their desires become superior to yours.” In an era that treats self-prioritization as a moral baseline, Winterson frames voluntary self-demotion as “cleansing.” The subtext isn’t submission for its own sake; it’s the rare relief of escaping the tyranny of the ego. Love, here, functions like a solvent. It dissolves the constant internal negotiations - what do I want, what do I deserve, what am I owed - and replaces them with a sustained attention to someone else that can feel like grace.
Context matters: Winterson’s work often circles obsession, queer longing, and the ways passion can be both revelation and ruin. She’s not naively celebrating dependency; she’s interested in love’s capacity to interrupt the modern self as a closed system. “Redemptive” becomes less a religious promise than an aesthetic and moral reset: love redeems by making you porous, by forcing you to practice humility in a culture that monetizes selfhood. The danger is implied, too: if the “superior” desires aren’t chosen freely, cleansing curdles into erasure. Winterson bets on the chosen version - the one that remakes you without confiscating you.
Quote Details
| Topic | Romantic |
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