"The secret of all effective originality in advertising is not the creation of new and tricky words and pictures, but one of putting familiar words and pictures into new relationships"
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Burnett is puncturing the romantic myth of the ad-world genius as a mad scientist inventing dazzling novelty from scratch. His “secret” isn’t linguistic acrobatics or surreal visuals for their own sake; it’s recombination. The line flatters creativity while quietly reining it in: originality, in the marketplace, is less about being unprecedented than about being legible. You don’t win by confusing people. You win by making them recognize themselves, then shifting the angle just enough that the old thing feels newly true.
The phrasing is also a defense of persuasion as craft rather than con. By dismissing “new and tricky words and pictures,” Burnett distances effective advertising from the hard-sell hustle and the gimmick. “Familiar” is doing moral work here: it suggests trust, cultural common ground, shared references. The subtext is almost anthropological: people live inside stories, symbols, and habits; the advertiser’s job is to rearrange those building blocks into a fresh, sticky association - product and feeling, brand and identity, everyday object and aspiration.
Context matters. Burnett built an empire on archetypes (the Marlboro Man, Tony the Tiger), campaigns that didn’t invent new human desires but gave existing ones a cleaner silhouette. Mid-century mass media demanded broad comprehension at speed. In that world, the bold move wasn’t strangeness; it was the elegant collision of the known. Burnett’s originality is a kind of controlled surprise: familiar enough to be swallowed whole, different enough to be remembered.
The phrasing is also a defense of persuasion as craft rather than con. By dismissing “new and tricky words and pictures,” Burnett distances effective advertising from the hard-sell hustle and the gimmick. “Familiar” is doing moral work here: it suggests trust, cultural common ground, shared references. The subtext is almost anthropological: people live inside stories, symbols, and habits; the advertiser’s job is to rearrange those building blocks into a fresh, sticky association - product and feeling, brand and identity, everyday object and aspiration.
Context matters. Burnett built an empire on archetypes (the Marlboro Man, Tony the Tiger), campaigns that didn’t invent new human desires but gave existing ones a cleaner silhouette. Mid-century mass media demanded broad comprehension at speed. In that world, the bold move wasn’t strangeness; it was the elegant collision of the known. Burnett’s originality is a kind of controlled surprise: familiar enough to be swallowed whole, different enough to be remembered.
Quote Details
| Topic | Marketing |
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