"The writers who have the deepest influence on one are those one reads in ones more impressionable, early life, and often it is the more youthful works of those writers that leave the deepest imprint"
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Coetzee slips a quiet provocation into an almost commonsense observation: literary influence is less a matter of objective greatness than of timing and vulnerability. He’s not praising youthful genius so much as mapping the mechanics of imprinting. The early reader doesn’t just consume books; they let books in, before taste calcifies into identity, before adulthood turns reading into a performance of “what I’m like.” In that sense, influence is not a merit badge earned by the canonical masterpiece. It’s an infection caught at the right moment.
The second turn sharpens the claim: it’s often the writers’ own youthful works that hit hardest. Not because they’re “better,” but because their rawness matches the reader’s. Early novels tend to be riskier, more exposed, less managed by reputation. They broadcast ambition and insecurity at the same frequency as the adolescent mind: high voltage, low insulation. Coetzee, who has spent a career dissecting authority and the stories that authorize it, is also suggesting something slightly uncomfortable: the books that form us may be the least “finished” versions of a writer, and the least defended versions of ourselves.
Context matters here: coming from a novelist steeped in questions of Bildung, moral formation, and the politics of voice, the line reads like an argument against adult self-mythology. We like to believe we chose our influences. Coetzee implies they chose us, back when we were easiest to rewrite.
The second turn sharpens the claim: it’s often the writers’ own youthful works that hit hardest. Not because they’re “better,” but because their rawness matches the reader’s. Early novels tend to be riskier, more exposed, less managed by reputation. They broadcast ambition and insecurity at the same frequency as the adolescent mind: high voltage, low insulation. Coetzee, who has spent a career dissecting authority and the stories that authorize it, is also suggesting something slightly uncomfortable: the books that form us may be the least “finished” versions of a writer, and the least defended versions of ourselves.
Context matters here: coming from a novelist steeped in questions of Bildung, moral formation, and the politics of voice, the line reads like an argument against adult self-mythology. We like to believe we chose our influences. Coetzee implies they chose us, back when we were easiest to rewrite.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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